Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Thursday, February 22, 2018

Two Score and More Scores Review by Quentin Budworth




'Two Score' (Cat No: Blowzabella4) 

'Two Score'– Blowzabella’s latest album is a joy holding a cornucopia of great tunes and songs. Each track is very different to the others reflecting the contrasting musical voices and interests within the band and this keeps the listener on their toes which of course is a great thing for any dance band.

The band’s line-up features world class traditional musicians playing to their strengths with wit, musicality and panache. The price of the album is a small one to spend time in the company of Andy Cutting, Jo Freya, Paul James, Gregory Jolivet, David Shepherd, Barn Stradling and Jon Swayne playing beautifully together throughout proceedings.

Two Score side steps the earlier Blowzabella wall of sound approach, having a much more dynamic approach to arrangements often featuring duets and trios within the music and this really works. The band create lovely dynamics and textures keeping the sound interesting and constantly changing, with different players and instruments taking their turn to come to the fore.

There are four songs on the album and Jo Freya is in fine voice throughout. The pared down instrumentation of ‘Blackberry Fold’ providing a perfect backdrop for her emotive singing. Another favourite is ‘The Uttoxeter Souling Song/Turners’ which features close harmony vocals from Jo Freya and Paul James and which segues seamlessly into Andy Cutting’s big jig ‘Turners.’

One of the stand out tracks is ‘The Lark Descending / Bushes & Briars.’ ‘The Lark Descending’ originally composed by Paul James as a 'rant step' dance and companion to his tune ‘Falco’ is played beautifully by Dave Shepherd as a fiddle led intro to set the scene for the song ‘Bushes & Briars’ sung by Paul James.

But what of the dance tunes I hear you ask? Well the album abounds with them from Gregory Jolivet’s tune ‘Cé’ a fuzzy pentatonic rock waltz which flips between minor and major in a most balletic way. Jo Freya’s SCCS Polka set is a delight, some future session favourites to be found here. Dave Shepherd’s rearrangement of his father’s tunes for ‘The Grenoside Processional’ will keep the folk dancers and English traditional musicians entertained whilst ‘Conteeta’ a 3/8 bourree by Paul James dazzles us with its fiery opening and fierce virtuosity. Jon Swayne’s ‘481’ delights the ear with its ease and relaxed musicality whilst ‘Juggler’s Jig,’ composed by Barnaby Stradling, was written in memory of the shining star who was Jasper King: Chipolata, entertainer, nutcase and gentle man.

Two Score is a great album by a remarkable band. It really is a joy to listen to from start to finish. I can’t wait to see the band playing the material from the new album live. Blowzabella are immersed in English and European folk traditions and over the years have written much new music to delight audiences and players from all over the world. This album has something for everyone and I’m sure many of the tunes will be played in sessions throughout Europe.


I had the pleasure of listening to the album with the accompanying tune book ‘More Scores’ in front of me which really was fantastic experience. ‘More Scores’ is beautifully laid out book and features the tunes and songs from the albums: ‘Two Score’ and ‘Strange News’ hats off to Jon Swayne for his sterling work scoring, editing and compiling it. Dance instructions are by Dave Shepherd and songs are also included in the book which at £12.00 or £6.00 for the pdf is a bargain.

You can preview or purchase ‘Two Score’ and ‘More Scores’ direct from the Blowzabella shop on the band website as a download mp3s or PDF, or in physical form CD or book – here’s the link:

blowzabella.co.uk/shop

Go on you know you want too! In my opinion the ‘Two Score’ CD at £10 is probably the best tenner you will spend this year. Maybe this year will see Blowzabella get a well-earned lifetime achievement award. After all it takes a certain bloody mindedness, gritty determination and abundance of talent to artfully champion drone based folk music for two score years whilst adding to and developing the living tradition.


Quentin Budworth
Lens-based artist & musician



40 years – Celebration, New Album and Tune Book Launch on 24 March at Cecil Sharp House, London

Blowzabella this weekend. Fri 23 Feb - Stamford Arts Centre. Sat 24 Feb - Diss Corn Hall. Sun 25 Feb - Chorlton Irish Club, Manchester. Advance booking advised. www.blowzabella.co.uk/live


blowzabella.co.uk
Blowzabella on Facebook

Tuesday, January 16, 2018

Kapela Maliszów and WoWaKin / a RootsWorld review




Kapela Maliszów ('Father's Notes') is comprised of Jan Malisz and his two children, Zuzanna (age 14) and Kacper (age 18). Jan Malisz anchors the group with his basolia, a Polish instrument reminiscent of the cello; he also contributes hurdy-gurdy, violin, accordion, and vocals. Zuzanna sings and accompanies on percussion, her self-taught drumming driving the group into its dizzying fantasies. Kacper plays both violin and nyckelharpa, and his instrumental prowess ranges across the album with an intricate delicacy that is more than a match for the group's various dance styles. 


Jan Malisz grew up being surrounded by the music of the countryside, where family members would sing amidst the daily rigor of work. Music was one of the communal bonds, and village musicians were necessary for the local dances and celebrations. However, the modern world has since intruded on village life…


more: Kapela Maliszów and WoWaKin / a RootsWorld review 

(the page includes some listening  )



KAPELA MALISZÓW . FOLK AND WORLD MUSIC

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Thursday, August 25, 2016

First Review of The Tumbling of Creatures | Cliff Stapleton




On the 20th August, a review of The Tumbling of Creatures by Uwe Schneider was published in the alternative arts Berlin online magazine African Paper
A translation into English by Marie-Laure Royds:
CLIFF STAPLETON AND FRIENDS: The Tumbling of Creatures
The hurdy-gurdy has the reputation of being a rather antiquated instrument but in reality it has left its marks in many types of music, modern ones as well as more traditional ones. Since the Middle Ages, it has spread in courtly and popular contexts and today we see it used in a whole palette of musical orientations, from contemporary folk to rock music, including the so-called modern classical music.
Few artists embody this multiplicity as strongly as the Englishman Cliff Stapleton who, coming from the folk but also from the theatre scene, has found his way as far as in the experimental areas of dark electronica. He has played on stage and in studios with acts such as Coil, Thighpaulsandra and Cyclobe, amongst others, but up to now, here in Germany, we didn’t know much more about him than the fact that he is not related to Steven Stapleton. His CD “The Tumbling of Creatures. Music for the Hurdy-Gurdy” offers a solid selection of music pieces that Cliff Stapleton recorded over the past twenty years or so in different constellations – with bands, in temporary collaborations and, on one occasion, as a solo player.
One main part is made up of recordings with bands belonging to the folk scene in various forms, many of which present a very danceable variation with a slight renaissance streak, like Angles’ trance-inducing “Kicksy-Wicksy”. The essentially earthy tune “Huckle-Duckle” from Primæval contains influences of Breton music. The two pieces by The Drones, and the contributions from Blowzabella (that really make you want to sway at times) and the Duellists combine this with an underlying drone sound that is naturally produced directly from the drone strings of the hurdy-gurdy.
The second half of the compilation is dedicated to Cliff Stapleton’s experimental enterprises, and the spectrum slowly moves into the realms of the innovative and improvised in various shapes and forms. For one you have the phantasmagorical tune “The Labyrinth” with Bron Bradshaw, who accompanies him on a bouzouki*, with occasional Irish variations, and slowly develops a melody that just sticks in your head. And then there is the disarranged, including an impro-trio with Sylvia Hallett and Clive Bell. His one-minute solo track “Scent” also belongs to this mood, basing on an ostensible drone with a truly one-dimensional effect and in the crannies of which lurks something very minimal. The readers of our pages will most likely be more familiar with his contributions to Cyclobe and Coil. “We’ll Witness the Resurrection of Dead Butterflies (Three Moons)” by Cyclobe features Cliff Stapleton’s hurdy-gurdy more than any other piece from the “Wounded Galaxies…” – our reviewer describes it appropriately as “incredibly dense” and he draws parallels with Coil’s (comparatively subtly disturbing) album “The Remote Viewer” which features on the CD with a representative extract of their first section.
At the end of a good hour’s music, it remains among other things the impression of a great transformability, which is not necessarily just due to a wide spectrum of playing styles but simply to Cliff Stapleton’s art of connecting, through his repertoire, with the most varied situations in a perfectly natural way. Thanks to the unique tone of this instrument (which the untrained ear would always find slightly exotic), he has given to all these projects an unusual overtone, which will carry particular weight for those electronic bands who are very distant from early music.
* The bouzouki mentioned is a hammered dulcimer  [CS]


First Review @ CliffStapleton.com


see also: Hurdy Gurdy Weekly • #HGWeekly: The Tumbling of Creatures - Cliff Stapleton




Compact Disc (CD)
Full length album
Running time - 53.27
A Woodbird release
Wb001 2016

This edition comes in a deluxe, four-panel, handmade concertina-style wallet, silk-screen printed in copper and black ink with a card insert. 

Saturday, November 29, 2014

Eluvetie at Irving Plaza in NYC on 22-Oct-2014 | Rock Music eZine devoted to Concert Photography, Artist Interviews, and Book, Film & Music Reviews


article & photos by Anya Svirskaya via nationalrockreview.com

Despite it being a Wednesday night with cold rainy weather, devoted folk metal fans gathered in long lines outside Irving Plaza hours before the doors opened. The show marked the finale of US leg of Eluvetie’s Origins World Tour. It has been about two years since Eluveitie graced the NYC stage. On December 20 2012, they co-headlined with Wintersun and performed to a sold out show at the Gramercy Theater. This time around Eluveitie returned to promote their sixth studio album, Origins...*



Eluveitie Setlist: King, Nil, From Darkness, Carry the Torch, Thousandfold, AnDro, Sucellos, The Call of the Mountains, Omnos, Gray Sublime Archon, The Nameless, Inception, Kingdom Come Undone, The Silver Sister, Vianna, A Rose for Epona, Quoth the Raven, Havoc; Encore: Helvetios, Inis Mona

CLICK ON LINK BELOW TO VIEW THE SLIDESHOW




psssst: HGW's Anna Murphy interview might be published soon ;)


Thursday, August 28, 2014

Eluveitie – Exploring Origins | Dead Rhetoric





One of the longest standing and revered of the current folk metal genre, Eluveitie has stayed the course for over 12 years now. Taking a solid melodic death metal backbone and adding in traditional Celtic/folk instruments, such as the hurdygurdy, has always been the base of Eluveitie’s sound. They have brought in more instrumentation and experimentation over the years, but the core of the band has remained the same. Helvetios saw the band attempt a concept album, and for their most recent release, Origins, the band has loosened the reins a bit, but still keeping things with a common focus...



more: Eluveitie – Exploring Origins | Dead Rhetoric